There’s Something Unusual About Taylor Swift’s New No. 1 Song

Taylor Swift’s “The Fate of Ophelia” debuts at No. 1 on the Hot 100 without selling a single copy, powered solely by massive streams and radio airplay. SINGAPORE, SINGAPORE – MARCH 02: EDITORIAL USE ONLY. NO BOOK COVERS Taylor Swift performs during “Taylor Swift | The Eras Tour” at the National Stadium on March 02, 2024 in Singapore. (Photo by Ashok Kumar/TAS24/Getty Images for TAS Rights Management)

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Taylor Swift once again rules the Hot 100 this week as her new single “The Fate of Ophelia” debuts at No. 1. The track, which serves as the lead single from her blockbuster album The Life of a Showgirl, launches atop the tally without hesitation.

It’s not unusual for Swift to conquer the Hot 100 whenever she has a new full-length that opens at No. 1 on the Billboard 200, as she’s managed to debut a track in first place alongside many of her recent albums. What sets “The Fate of Ophelia” apart from its predecessors, however, is that it opens at No. 1 on the Hot 100 without selling a single copy.

“The Fate of Ophelia” Hits No. 1 Without Any Sales

When Swift released The Life of a Showgirl, fans could stream every track from the album or the complete set freely, but the same couldn’t be said when it came to buying. The Life of a Showgirl was only offered as a full project, as followers could buy it physically or digitally and download it, but not any of the individual tunes, at least not for the first tracking week.

After that seven-day period finished, Swift allowed “The Fate of Ophelia” to sell on its own, and it quickly shot to No. 1 on platforms like iTunes. Those purchases, however, did not factor into where the tune lands this frame, but they may help it become a bestseller in America on next week’s Billboard charts.

How Many Streams Did “The Fate of Ophelia” Earns In Its First Week?

“The Fate of Ophelia” opens atop the Hot 100 thanks largely to a historically massive streaming sum. In its first tracking week, the tune racked up 92.5 million on-demand streams on platforms like Spotify, Apple Music, Tidal, and others. That total alone likely would have been enough to make it the biggest song in America, even if radio play didn’t factor in, which it does on the Hot 100. Swift claims her tenth No. 1 on the Streaming Songs list with “The Fate of Ophelia,” and she claims the second-most leaders of all time on the ranking.

Taylor Swift Scores Rare Top 10 Radio Songs Chart Debut

Radio also played a significant role in helping “The Fate of Ophelia” earn an impressive debut. Billboard reports that the track launches at No. 7 on the all-genre Radio Songs list, making it one of only a handful of tunes to open inside the top 10 on the notoriously competitive ranking. DJs immediately put the single into heavy rotation, as Swift has a track record of producing radio favorites, and the track earned 38.5 million audience impressions across the country.

“The Fate of Ophelia” Becomes Swift’s Thirteenth No. 1

“The Fate of Ophelia” marks Swift’s lucky thirteenth No. 1 on the Hot 100. As she adds to her total, the singer breaks out of a tie with both The Supremes and Madonna, while simultaneously matching Drake and Michael Jackson for the fourth-most leaders of all time. The Beatles continue to lead with 20 champions, Mariah Carey sits comfortably in second place with 19, and Rihanna ranks third with 14 rulers.

The Life of a Showgirl Fills Hot 100’s Entire Top 10

For the third time in her career, Swift fills all 10 spaces inside the top 10 on the Hot 100. The 10 most popular tracks taken from The Life of a Showgirl debut inside that region, while two others — “Ruin the Friendship” and “Honey” — launch just outside at Nos. 11 and 12, respectively. As her album dominates in every sense of the word, Swift ups her career total to 69 top 10s on the chart.

How Many No. 1 Albums Has Taylor Swift Charted on the Billboard 200?

The Life of a Showgirl also makes history as it becomes Swift’s fifteenth No. 1 on the Billboard 200. The set opens with four million equivalent units, becoming the first to hit that landmark in a single week. It outpaces Adele’s 25 by several hundred thousand units and also scores the largest pure-sales sum in a week.

Swift now claims the most No. 1s of all time on the Billboard 200 among solo artists, breaking her tie with Jay-Z and Drake as The Life of a Showgirl arrives.