Lisa Matches Her Bandmate On Billboard’s Radio Chart

Lisa’s “Priceless” with Maroon 5 reaches No. 17 on the Adult Contemporary chart and marks 13 weeks on the Pop Airplay list, the fourth-longest run by a female K-pop soloist. BANGKOK, THAILAND – FEBRUARY 14: Lalisa Manobal attends “The White Lotus” Season 3 Bangkok Premiere at ICONSIAM River Park on February 14, 2025 in Bangkok, Thailand. (Photo by Billy H.C. Kwok/Getty Images for HBO)

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Blackpink’s comeback has begun as the South Korean girl group’s new single “Jump” continues to live on multiple Billboard charts and remains a huge smash all around the world. Several of the four women who make up the globe-dominating band are also present on tallies in the United States as soloists, as all of them focused on their own careers in between Blackpink eras.

Lisa is having a great week, in particular, as she claims two radio wins in the U.S., and both manage to move up on important all-time rankings.

Lisa’s “Priceless” Climbs

At the moment, “Priceless,” Lisa’s collaboration with Maroon 5, is her biggest hit. That track lives on four rankings and climbs on one of them, the Adult Contemporary chart, where it hits a new high of No. 17.

The tune simultaneously reaches a lucky 13 weeks on the Pop Airplay chart, the main list of the biggest singles at top 40 radio. As it reaches that milestone, “Priceless” becomes a historic win among K-pop acts.

Fourth-Longest-Running Hit by a Female K-Pop Soloist

“Priceless” now ranks as the fourth-longest-running song by any female K-pop soloist in the history of the Pop Airplay chart. In this instance, musicians are classified as K-pop acts if they are primarily known for their output in that style. Lisa does not originally hail from South Korea, and she has produced work that can be labeled under other genres, such as pop and hip-hop, but since she got her start as one-fourth of Blackpink, she will forever be known — at least in some circles — as a K-pop star.

Last week, “Priceless” was on the same level as “Toxic Till the End” by fellow Blackpink member Rosé. Both tunes managed an even dozen frames on the Pop Airplay ranking, but now “Priceless” has advanced beyond Rosé’s single.

Rosé Holds the All-Time Record

Rosé still owns the record for the longest stay on the Pop Airplay tally among female K-pop soloists. She and Bruno Mars kept “Apt.” on the list for 28 weeks.

Lisa comes in second place with “Moonlit Floor (Kiss Me),” the only other tune by a K-pop female solo musician to live on the list for 20 frames or more, as it held on for exactly 20 turns. Jennie, one of the other two members of Blackpink, hit big with “One of the Girls” alongside The Weeknd and Lily-Rose Depp. That R&B tune racked up 15 stays on the roster.

“Moonlit Floor (Kiss Me)” Ties a Different Record

While “Priceless” can be found on the Radio Songs, Pop Airplay, Adult Contemporary, and Adult Pop Airplay charts, “Moonlit Floor (Kiss Me)” is only still going on the Adult Contemporary tally. Lisa’s solo cut hits its milestone twentieth frame on the radio roster, and in doing so, ties with two other tunes as the second-longest-running hit by any K-pop artist.

Lisa matches two BTS behemoths: “My Universe” with Coldplay and “Dynamite.” Rosé and Mars’ “Apt.” sits three weeks ahead with 23 turns on the roster.